empress-empire: “ Johanna Stickland || Yohji Yamamoto S/S07 RTW ” empress-empire: “ Johanna Stickland || Yohji Yamamoto S/S07 RTW ”

empress-empire:

Johanna Stickland || Yohji Yamamoto S/S07 RTW

Nov. 14 2015
1,825 notes
holyweek: “ Jamian Juliano Villani ”

holyweek:

Jamian Juliano Villani

(via cowcud)

Nov. 8 2015
38 notes
kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion... kawakubosan: “ALPHABETEdited by SULEMAN ANAYA and JOERG KOCH 32c Magazine ADVERTISINGAlice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion...

kawakubosan:

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ALPHABET

Edited by SULEMAN ANAYA and JOERG KOCH
32c Magazine

ADVERTISING

Alice Rawsthorn: “Perhaps because the Shirt campaign are conceived by a creative director who edits the contents from ready-made imagery rather than by the fashion designer and photographer who produce them, the only consistent thing about them is their inconsistency. Yet collectively they build a compelling portrait of the brand as well as of its creators and the people who will wear the clothes”


Alice Rawsthorn, CDG “Advertisements”
Paradise 5 Fall Winter 2009

Nov. 8 2015
242 notes
kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its... kawakubosan: “BEHIND BEAUTY “If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its...

kawakubosan:

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BEHIND BEAUTY


“If it had been a Dada performance in Zurich’s Cabaret Voltaire in the second decade of the twentieth century, its genius would have been galvanic. As a fashion show in the second decade of the twenty-first century, its satire felt a little obvious. But its savage point was well taken […]”

Tim Blanks 
March 2012
Style.com

Nov. 8 2015
47 notes
kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI” kawakubosan: “COMME des GARÇONS by YEKA HASKI”

kawakubosan:

COMME des GARÇONS
by YEKA HASKI

Nov. 8 2015
215 notes
interpretatie: “ “ Photo by Javier Vallhonrat for Sybilla, 1988 ” ”

interpretatie:

Photo by Javier Vallhonrat for Sybilla, 1988

(via leisureindex)

Nov. 8 2015
9,407 notes

(via lamaisondior)

Nov. 3 2015
Via lamaisondior
2 notes
danieljamesthawley: “ via @ssawmagazine AW15-16: Read me in conversation with Irene Silvagni, the iconic creative director of Yohij Yamamoto and ex-Vogue Paris editor in chief… ” danieljamesthawley: “ via @ssawmagazine AW15-16: Read me in conversation with Irene Silvagni, the iconic creative director of Yohij Yamamoto and ex-Vogue Paris editor in chief… ” danieljamesthawley: “ via @ssawmagazine AW15-16: Read me in conversation with Irene Silvagni, the iconic creative director of Yohij Yamamoto and ex-Vogue Paris editor in chief… ” danieljamesthawley: “ via @ssawmagazine AW15-16: Read me in conversation with Irene Silvagni, the iconic creative director of Yohij Yamamoto and ex-Vogue Paris editor in chief… ” danieljamesthawley: “ via @ssawmagazine AW15-16: Read me in conversation with Irene Silvagni, the iconic creative director of Yohij Yamamoto and ex-Vogue Paris editor in chief… ”

danieljamesthawley:

via @ssawmagazine AW15-16: Read me in conversation with Irene Silvagni, the iconic creative director of Yohij Yamamoto and ex-Vogue Paris editor in chief…

Nov. 3 2015
36 notes
godgazer: “ Wolfgang Tillmans ”

godgazer:

Wolfgang Tillmans

Nov. 1 2015
12 notes
fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ” fredblauth: “ Keep the Doctor Away, 2015 ”

fredblauth:

Keep the Doctor Away, 2015

(via grimygurl)

Nov. 1 2015
52,170 notes
mashamorevna: “ “ Agyness Dean in “Spooky” by Tim Walker for LOVE Magazine (Spring/Summer 2015)” ” mashamorevna: “ “ Agyness Dean in “Spooky” by Tim Walker for LOVE Magazine (Spring/Summer 2015)” ” mashamorevna: “ “ Agyness Dean in “Spooky” by Tim Walker for LOVE Magazine (Spring/Summer 2015)” ”

mashamorevna:

Agyness Dean in “Spooky” by Tim Walker for LOVE Magazine (Spring/Summer 2015)

(via grimygurl)

Nov. 1 2015
23,173 notes
miss-catastrofes-naturales: “ Lúa Ocaña Estrany ”

miss-catastrofes-naturales:

Lúa Ocaña 

Estrany

(via moshiroo)

Nov. 1 2015
52 notes
darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ” darksilenceinsuburbia: “ Noell Oszvald ”

darksilenceinsuburbia:

Noell Oszvald

(via ricordoeccome)

Oct. 26 2015
3,854 notes
doppisensi: “ Katsushika Hokusai, Fuji rosso ”

doppisensi:

Katsushika Hokusai, Fuji rosso

Oct. 22 2015
8 notes
miss-catastrofes-naturales: “ Ujj Zsuzsi Untitled Series (1989) ” miss-catastrofes-naturales: “ Ujj Zsuzsi Untitled Series (1989) ” miss-catastrofes-naturales: “ Ujj Zsuzsi Untitled Series (1989) ” miss-catastrofes-naturales: “ Ujj Zsuzsi Untitled Series (1989) ”

miss-catastrofes-naturales:

Ujj Zsuzsi 

Untitled Series (1989)

(via doppisensi)

Oct. 22 2015
9,008 notes